Freelance Workers to Regain Union Rights

A new ruling from the European Court of Justice (CJEU) may force authorities across Europe to reverse policies that have resulted in the effective denial of full union rights to freelance workers, for over a decade.

The ruling – delivered by the court in December – arises from a case taken by Dutch unions which challenged the classification of freelance musicians as individual business ‘undertakings’.

Under competition law this meant they were not entitled to bargain collectively with their employer.

The new ruling from the CJEU will almost certainly force a rethink on the part of Competition and Consumer Protection Commission in this jurisdiction, which has applied a similar logic to workers represented by SIPTU and Equity since 2004, thereby depriving them of a basic union right.

If implemented in accordance with ILO Standards, the ruling should see full union rights restored to these and other affected workers.

The case – FNV Kunsten Informatie en Media v Staat der Nederlanen (C-413/13) – was referred by the Court of Appeal in the Netherlands, following a complaint by Dutch union federation FNV. The FNV claimed the Dutch Competition Authority had incorrectly found their collective agreement to be contrary to Competition Law, having judged the freelance musicians concerned to be business ‘undertakings’ involved in price fixing,  rather than workers bargaining collectively. The case bears a striking similarity to a 2004 decision by the Competition Authority here, in relation to self- employed voiceover actors.

In that instance the Competition Authority determined that the collective agreement concluded by SIPTU/EQUITY constituted an unlawful agreement for the exclusive reason that each self-employed voice over actor was considered to be a business ‘undertaking’(Decision No E/04/002).

The Authority’s decision effectively turned the  clock back almost 200 years to the era of the Combination Laws, which made it unlawful for workers to ‘join together’ to press their employer for shorter hours or more pay.

In addition, it has damaged and hampered the exercise of a fundamental human right – the right to collective bargaining – for many thousands of workers and their unions in Ireland. The restriction placed on these workers has adversely affected wages across the entire sector and impacted on thousands of workers in many other sectors also.

The list of those affected is a long one: actors doing voiceovers for adverts and actors engaged in any dramatic production for radio, television, film or theatre; freelance journalists and photographers providing written copy, sound and visual contributions, photos and film clips to media outlets; writers for radio, television and film drama; musicians hired for gigs, recording sessions, orchestras and bands; dancers for shows, clubs and other performances; models on photoshoots; bricklayers and many other skilled tradesmen in the construction industry, doctors and many other professionals.

All have effectively been denied the proper exercise right to collective bargaining for over a decade. Trade unions do not dispute that competition law should preclude price fixing agreements amongst cartels of businesses.

Our concern –validated by the CJEU ruling – is that many self-employed persons are workers in the true meaning of that term.

Many have little if any control over the legal niceties, or the nature of the contractual relationship with those for whom they work. In reality they are workers on the simple basis that they earn their living from providing their labour for remuneration to others and they have been incorrectly denied their fundamental right to collectively bargain.

Over the past decade Congress and affiliated unions have consistently sought to change this unfair situation but on every occasion some hurdle or other has been thrown up to stall progress.

Most recently it was the ‘Troika’ who prevented movement.

But the CJEU ruling has dramatically altered the landscape.

It has unequivocally held that it is wrong to define workers as undertakings under competition law simply on the basis that they are ‘self-employed’.

The EU Court recognised that a person can be categorised correctly as self-employed in one context but falsely in another: “the classification of a ‘self-employed person’ under national law does not prevent that person being classified as an employee within the meaning of EU law if his independence is merely notional, thereby disguising an employment relationship” (para 35).

The Court then established a number of principles to be taken into account when considering  if a self-employed worker falls outside the definition of ‘undertaking’ and more properly into the definition of ‘worker’ or ‘employee’ for the purpose of Competition Law.

The ruling centres on the requirement to take into account the totality of the working relationship including “the rights and responsibilities of the persons concerned” (para 34).

The Court  held:  “…the status of ‘worker’ within the meaning of EU law is not affected by the fact that a person has been hired as a self-employed person under national law, for tax, administrative or organisational reasons, as long as that persons acts under the direction of his employer as regards, in particular, his freedom to choose the time, place and content of his work … does not share in the employer’s commercial risks …  for the duration of that relationship, forms an integral part of that employer’s undertaking, so forming an economic unit with that undertaking’ (para 36).”

It will not be possible for the Competition Authority to ignore this ruling as Ireland’s Competition Acts must be interpreted in accordance with the CJEU.

To that end, Congress has formally called on the Competition & Consumer Protection Commission to take account of this important CJEU ruling and to review, as a matter of urgency, its interpretation of Competition Law, in order to ensure the status of self-employment cannot be used to negate the right to collective bargaining.

By Esther Lynch, Congress Legislation & Social Affairs Officer

NUJ Commemoration Saturday 10th January

NUJbanner

FIA actors show their solidarity

FIA
Actors show their solidarity with the murdered workers at French satirical magazine Charlie Hebdo (picture FIA)

Thomas Studley. An Appreciation

The passing of actor, Thomas Studley, is of historic importance. [Read more…]

Gerry Cannon

Gerry trained for the theatre at The Brendan Smith Theatre Academy and at the College of Music in Dublin in the 1980’s where drama students took the London Guildhall Exams in Performance. Having pursued other careers in the interim, Gerry returned to acting in 2016. Since then, he has appeared in plays at Smock Alley, The Sean O’Casey Theatre, The Lexicon and Whale Theatre. 

On returning to acting, Gerry has concentrated on screen work with over sixty short film credits to his name. He can be seen in Say Nothing  on Disney+, The Troubles – A Dublin Story on Amazon Prime, Dublin Crust on Amazon Prime, The Irish Mob on Apple TV and as the Bishop of London in Vikings: Valhalla on Netflix.

Gerry does a lot of voiceover work, including loop group Automated Dialogue Replacement (ADR) for the film and TV industry.

Gerry believes the threat of artificial intelligence to jobs in the voiceover sector needs to be addressed along with the rights and remumeration of Irish based actors working in TV and film productions where, as stakeholders, they should enjoy the same conditions as international colleagues wherever the best practices exist.

John Cronin

John Cronin has been an actor on stage and screen in Ireland for 30 years, having made his professional debut in The Commitments at the age of 12! Since that time John has built a theatre career that has taken him to the West End, the Edinburgh festival and to America via the Gate and the Abbey. He has worked for Livin’ Dred, Prime Cut, Loose Canon, Anu Productions, Theatre Club, Collapsing Horse, Second Age and Rough Magic and is due to appear in the latter’s Dublin Theatre Festival production of GLUE in October 2021. He also has an extensive career on screen in Ireland and beyond appearing in series for RTE, BBC and Sky as well as feature films with actors such as Jackie Chan and Hugo Weaving. Most recently he is to be found in Carrigstown playing the villainous Will Casey in Fair City. He also has a degree in English and History from UCD and a Diploma in Marketing and Advertising from the Fitzwilliam Institute. John is very pleased to be joining the Equity Executive at such an important time.

Dorothy Grace Laity

While pantomime and comedy are her specialist areas and first love, Dorothy has also performed in a wide variety of other disciplines at home and abroad. Highlights have included playing as Colin in Mother Goose, Hermia & Helena in A Midsummer Night’s Dream, Griffon in Alice the Musical and Yvette in ‘Allo, ‘Allo. [Read more…]

Read the Labour Court Recommendation December 2014

equity

Read the full text of the Labour Court Recommendation on contracts for Equity members [Read more…]

Membership Benefits for Equity members

GeneralBannerMembership Services are continuing to offer great value to members across a wide and varied range of products and services. Read the latest newsletter

‘Lights, camera and action’ for the homeless

atticstudiobannerFollowing the tragic death of John Corrie on a Dublin street recently, film industry members have rallied to raise funds for the homeless charity Focus Ireland. An Oscar© qualified short film “Whatever Turns You On” will be made available online for the first time. As well as carrying a text number through which people can donate to the charity the film seeks to humanise the plight of homeless people.

“The central character in the film is a homeless guy who simply wants to belong,” explained the film maker Declan Cassidy. “That point seems to get through to audiences no matter where the film is shown so I felt that working with Focus Ireland would be the way to go. Their work is so very important as tragically demonstrated by the death of Mr Corrie.

“When we shot the film in Dublin City centre the actor, Luke Cameron, had to sit still for a long time in the freezing cold of winter and he was in a bad way by the time we’d finished. It struck us at the time how terrible it must be for homeless people who can’t take off their costumes and go home to a hot shower and a warm bed.”

The launch of the film is being facilitated by The Attic Studio – a community of actors, writers and directors which has been running for over 12 years www.theatticstudio.net

“For the past five years The Attic Studio has fund-raised for Focus Ireland at Christmas-time,” explained chairperson Camille Donegan. “so this was an obvious fit for us.”

It’s just four-minutes long but the film has charmed audiences all around the world, screening at over 100 festivals and scooping a host of awards. It qualified for Oscar© consideration in 2010 after winning the prestigious Aspen Shortsfest. It has had cinema releases in Ireland and Germany, has featured on the inflight services of airlines and has been snapped up by many tv stations around the globe including RTE, Channel 4 and national channels in France, Poland and Australia.

John Carney, director of the Oscar© winning Glen Hansard film Once said of Whatever Turns You On: “It’s a wonderfully sweet film, brilliantly acted and the ending left me with a lump in my throat. Great cast and fantastically directed.”

The film will be available to view for free online from 9pm on December 17 at www.tiny.cc/homeless